#104-LIGHT AND SHADOWS: Shading techniques and applications

Class Dates: 

SUNDAY 10/11/26 from 2:00pm-5:00pm

Class Instructor: Jan Halvorsen

Instructor Email: mimikoyangi@gmail.com

Instagram: janhalvi

Price: $65.00
    The product is in stock Availability: CLASS CANCELLED

    Students will need to supply these materials


    In this workshop you will explore the language of shadows, how to see and interpret them for drawing, and practice hands-on practical techniques for rendering tone and shadows.

    Artists use shading (aka value/tone) to:

    • Create the illusion of shape and volume, depth, and structure a composition.
    • Communicate and intensify mood

    This workshop welcomes artists of all levels, so put aside any concerns about your drawing ability… Once you understand how to see shadows, practice does the rest!

    Maximum 8 students.

    *To reserve your place in any class, payment must be received at the time of registration.

    *For a refund on any of our classes, we will need to be notified at least 48 hours in advance of the first class.

    ***All Students get 20% off purchases at Oregon Art Supply while enrolled in a class***
    For your complete material list - please click on the link


    REQUIRED MATERIALS LIST

    Note: All students get 20% off purchases at Oregon Art Supply while enrolled in a class…

    What a great time to try new stuff! The list below is enough to participate in the workshop, but

    you can bring any media you already have and see how it can be used.

    Paper:

    Any drawing weight paper will work. Oregon Art Supply has a good selection of drawing

    tablets (Robert Bateman, Bee Paper, Strathmore, Canson, etc.). This is a table top class, so a

    tablet size of 8 1/2 x 11 or 11 x 14 works well. You can also bring any paper you already have.

    If you are using loose sheets, bring a drawing board for support.

    Paper texture is important to consider. Highly textured paper will not allow fine shading…

    So stay with semi-smooth drawing paper. However, if you have odds and ends of other

    papers, bring them! Even very textured paper (for example, cold press watercolor paper) can

    be exciting to experiment on. Strathmore charcoal paper has a texture designed to hold

    charcoal and allow fine gradations, and is available in single sheets.

    Media:

    Drawing pencil, soft: Choose from: General’s Draughting #0314, General’s Layout, Ebony

    pencils… they are all wonderful soft graphite pencils. There are also the “graded” pencils…

    The higher the number with a “B”, the softer the lead, so 3B or softer is good. Woodless

    graphite pencils are also good.

    Charcoal: Soft vine charcoal. We will use this to quickly lay in tone, and it also combines

    well with graphite.

    Other Media: You may have other media that you want to try: Compressed charcoal, Carb-

    Othello / pastel pencils, conte sticks. While graphite and vine charcoal are core to the

    workshop, experimentation is encouraged!

    Erasers: 2 types:

    White vinyl, either a block or clic type (for example, Pentel clic).

    Kneaded eraser: Faber Castell #127220 is the BEST kneaded eraser.

    You need BOTH to fully experiment with value/shading.